See the slab in their kitchen
A customer previews the shop’s slab against their cabinets in AR. The shop can follow up from the associated quote.
Open video ↗Premium work sells on confidence. SlabOS projects the real slab photo onto the customer's drawn countertop in 3D — the actual stone they're buying, vein-matched across seams — then lets them stand it in their own kitchen in AR from a link. No extra modeling. It's all generated from the quote.
And drawing it is the easy part. CAD and SketchUp-style controls — orbit, pan, drag a handle — except every tool is countertop-native, so there is no modelling to learn. A few clicks and drags and the counter is drawn. Anyone in the shop can do it on day one.
The 2D drawing engine builds a countertop live from a centerline, with edges, corners, cutouts, splash and waterfall, then the real slab lands on it in vein-matched 3D.
A generic quartz texture doesn't close a premium job. SlabOS takes the photograph of the actual slab — the one with the vein your customer fell in love with at the yard — and projects it onto the countertop they drew with you. What they see in 3D is the stone they're paying for.
And where the counter seams, the veining carries across the joint — vein-matched, the way your saw operator would actually lay it out. The customer sees the seam handled before it exists.
Fig. 01 — The actual stone, on the actual layout, before a blade touches it.
A miter is where a premium job earns its price — and where a flat 2D drawing tells the customer nothing. In SlabOS, edge work is real geometry: miters at any angle, snapped true, flipped by picking the edge, rotated to the exact degree. Waterfalls stand on edge like they will in the kitchen.
Fig. 02 — The edge detail the customer is paying for, shown as built geometry.
Stone lives or dies on light. SlabOS renders the counter in room environments with natural light and reflective floors — settings built to make the material read the way it does when a customer walks your showroom and stops in front of a slab.
Finish matters too. Preview the finish on the stone itself — so the conversation about how the surface will look happens in the quote, not at install.
Fig. 03 — Environments built so the stone sells itself.
Fig. 04 — One tap from the quote. No app store.
The last doubt before a customer signs is always the same: "what will it actually look like in my house?" SlabOS answers it from their phone. They open a link, point the camera, and the quoted countertop stands in their kitchen at true scale.
Three shops bid that kitchen. Two emailed a PDF. One let her stand in her own kitchen and walk around the counter before she signed anything.
You are not competing on price at that point. You are the only one who showed her the job.
The quote that stands in the customer's kitchen is the quote that gets signed.
The 3D builds you're proudest of shouldn't live only inside quotes. With the embeddable showcase, you paste one snippet into your own website and it becomes a gallery of your published 3D builds — each one spinnable, each one placeable in AR by whoever's browsing.
A homeowner shopping fabricators lands on your site, drops your actual work into their actual kitchen — before they've even called you. That's a first impression nobody's brochure beats.
Fig. 05 — One snippet on your site. Your portfolio, in 3D and AR.
Here's the part that matters at 4pm on a Friday: there is no 3D step. Every model on this page is generated from the quote drawing your estimator already made. Draw the counter to quote it — the 3D view, the showroom render, the AR model, and the showcase embed all come from that same drawing. Zero extra modeling work.
This isn't a visualization add-on you bolt onto your quoting tool. It's the same platform that quotes the job, nests the slab, schedules the crew, and runs the shop. One login, one bill.
Fig. 06 — One drawing does all of it.
Book a demo — we'll draw one of your real jobs, put a real slab on it in 3D, and hand you the AR link to open on your own phone.
One platform · one login, one bill · see pricing
No. Everything is generated from the quote drawing your estimator already makes. The 3D view, the showroom render, the AR model, and the showcase embed all come from the same drawing — zero extra modeling work.
No app. They open a link on their phone — it works on iPhone and Android — and the quoted countertop places in their space at true scale. The customer portal puts "View in AR" right on the quote.
The actual slab. SlabOS projects real slab photography onto the drawn countertop — the specific stone the customer is buying — and vein-matches it across seams.
Yes — the embeddable showcase is a copy-paste snippet that renders a gallery of your published 3D builds, with AR, on your own site.
SLABOS IN MOTION 04 FILMS
A closer look at the decisions, details and handoffs that make the work happen.
A customer previews the shop’s slab against their cabinets in AR. The shop can follow up from the associated quote.
Open video ↗Move a piece across the slab photo, mirror a slab for a bookmatch, inspect the seam in Joint Cam and lock the selected layout. 3D Builder Studio is in beta. Review the slab image and final layout before fabrication.
Open video ↗A drawn L-shaped countertop goes through the SlabOS 3D Builder Studio (beta): preview the stone assembly at 36 inches, run Furnish this counter to preview fitted cabinets, sink, cooktop and toe-kick lights, change the cabinet finish, then apply the arrangement.
SlabOS: Assemble and Furnish the Kitchen (36 seconds, no voiceover; music and sound effects only)
A drawing isn't a kitchen. A glowing plan drawing of an L-shaped countertop appears, 144 inches along the back wall and 96 inches on the return, with a sink opening and a cooktop opening.
3D Builder Studio (beta). The drawn top. The camera tilts into a 3D room view and the real slab fills the top, labeled CT1, one L-shaped top, with sink and cooktop openings.
Preview the assembly. On the Stone tab, the Preview assembly control is clicked. A wireframe ghost of the top appears at counter height, with the note "CT1 top 36 inches above floor" and "Preview every change before applying." The Apply & furnish control is clicked and the stone rises into place. Raised to 36 inches.
Furnish this counter. The view switches to the Furnish tab and the Preview furnishing control is clicked. 8 fitted cabinets grow in as a striped preview, facing the inside corner. A "Will add" counter climbs from 1 to 8. Sink and cooktop drop into their openings, fitted to the CT1 openings, and the counter reaches 10. Toe-kick LEDs: 2 warm toe-kick LED strips light up along the cabinet fronts, and the counter reaches 12.
Change the finish. The Cabinet finish selector changes from Natural oak to Charcoal, and the cabinet fronts change from light to dark one by one.
Apply furnishing. The Apply furnishing control is clicked and the preview turns solid. Added 12. Undo restores the previous arrangement.
The whole kitchen, around their stone. Every item stays customizable. The camera settles on the finished kitchen: the stone top with its sink and gas cooktop, 8 cabinets with drawer and door fronts, and glowing toe-kick lights.
End card: the SlabOS logo assembles. SlabOS. Draw the top. Furnish the kitchen. 3D Builder Studio, beta. slabos.com. Book a demo.
3D Builder Studio is in beta and is enabled per shop.
Veined material is the default nesting mode in SlabOS: Auto Nest keeps every splash strip on the same slab as its counter, so the vein carries across the joint. On this kitchen it uses 3 slabs where Tightest Fit uses 2.
SlabOS-Nesting-Veined-Mode-v1 — on-screen information (no voice-over; the clip is designed to play muted)
The vein breaks. In a Tightest Fit layout of this kitchen, the 83-inch back splash for counter piece CT1.1 lands on Slab 2 while CT1.1 itself is cut from Slab 1.
One kitchen: an L-shaped sink run split at the inside corner into CT1.1 (holding the sink) and CT1.2, a range run CT2, and an island CT3. Three counters, five 4-inch splash strips, one seam.
Veined material. The Step 5 nesting setting "Veined material — keep strips with parents" is the default; the other option is "Tightest Fit — maximize yield". Veined material refuses to break vein continuity at miter, splash or waterfall joints. Then Auto Nest runs.
On 126 by 63 inch Taj Mahal White slabs, every piece lands on the layout the Auto Nest engine produced: Slab 1 holds CT1.1 and CT1.2 with all three of their splashes, Slab 2 holds CT2 with both of its splashes, Slab 3 holds the island. Three slabs. Every strip sits on its parent's slab.
One more slab, on purpose. Tightest Fit used 2 slabs on this job; Veined keeps the vein.
The vein carries on. Pattern preview of Slab 1: the S4" 83" splash is cut directly above CT1.1, the S4" 84" splash directly above CT1.2, and the S4" 26" splash right beside CT1.2's end, so the stone pattern continues across each joint.
SlabOS. The pattern is part of the layout. slabos.com. Book a demo.
Notes: layouts are real SlabOS Auto Nest engine output for this job. Slab counts are for this job. No prices shown.
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